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Showing posts with label Alexandra Callas. Show all posts
Showing posts with label Alexandra Callas. Show all posts

Sunday, January 17, 2016

International Women’s Day: the 10 best feminists


With International Women's Day approaching March 8th, I found this article from last year that stood out.


International Women’s Day: the 10 best feminists

On Sunday 8 March, it’s International Women’s Day. To celebrate, Helen Lewis pays tribute to 10 inspirational feminists
Have we missed someone from the list? Leave your suggestion in the comments below and it could feature in the alternative list next week

Aphra Behn
Portrait of Aphra Behn 1670
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 Portrait of Aphra Behn, 1670. Photograph: Oxford University
READ  STORY HERE

Barrier Breaking Story by Nellie Bly Captured for the Big Screen

Barrier Breaking Story by Nellie Bly Captured for the Big Screen

January 15
14:472016

Caroline Barry plays Nellie Bly in the historical biopic based on Ms. Bly’s book, 10 DAYS IN A MADHOUSE.
Nellie Bly, the risk-taking investigative journalist working under Joseph Pulitzer, opened the gates of opportunity for women in journalism. Her audacious story is being retold in the upcoming film, 10 Days in a Madhouse starring Caroline Barry as Nellie Bly.
Daring journalist Nellie Bly opened the doors for women in the journalism field. She used her very first assignment for The World to show how audacious she was, risking her life for the sake of obtaining the information she needed. This story exposed the practitioners at Blackwell’s Island Insane Asylum as portrayed in the upcoming film, 10 Days in a Madhouse, starring Caroline Barry, Christopher Lambert (Highlander, Mortal Kombat), Kelly Le Brock (Weird Science, The Woman in Red), Julia Chantrey (Mama, Mean Girls) and Russian celebrity actress Alexandra Callas.
The film was released first in New York City at AMC Empire 25 on November 11, 2015, and in select theaters nationwide on November 20. The movie is gaining ground as it continues to expand into theaters across the US.
Critics have raved about the movie, saying “Stunning!” – New York Times, “Must See” – Ms. Magazines, “Awesome, Incredible” – Popcorn Talk Network, “Demands To Be Watched!” Bust Magazine and “A delicate balance between a character study and an ensemble piece,” said ScreenPicks.
Nellie Bly pretended to be insane in order to be admitted into the asylum and experience the mistreatment of the female patients. Her exposé showed the world that women could write about things other than fashion and gossip. Her efforts also put the power to expose female mistreatment into another woman’s hands, tearing down the common misconception that women need men to save them. 
Bly wrote a book on her experience in the asylum, where she wrote, “The insane asylum on Blackwell’s Island is a human rat-trap. It is easy to get in, but once there it is impossible to get out.” Her experience not only showed the mistreatment of women by doctors and nurses, but also the vicious cycle that patients endure, where their condition never improves, but actually gets worse. 
Nellie Bly’s bravery, innovative tactics, and dedication paved the way for female journalists and opened the eyes of many to show that women are strong, and capable of knowing about more than fashion, homemaking, or gossip. Bly’s story is a prime example of a brave, dedicated, and strong woman. Her influence has made huge advancements in our fight for equality and human rights. Her courage is depicted in the accurate film adaptation of her book, 10 Days In A Madhouse by acclaimed director Timothy Hines. It is one of this fall’s must see movies.
10 Days in a Madhouse opened so late in the season the distributors and filmakkers decided to withdraw from the 88th Academy Awards and instead pur the film’s hat in the ring for the 89th Academy Awards to allow the film enough time for proper exposure to be fairly up for consideration. “We looked at the possibility of 2016 Oscar nomination and we determined that if we competed now, we would just land on the dancefloor as the song was ending,” says 10 Days director Timothy Hines. ARTICLE HERE.

10 DAYS IN A MADHOUSE :: MOVIES :: REVIEWS :: MS Magazine

Great review of a great movie. I have written my now review of this movie and will post it shortly.

Fearless Feminist Reporter Nellie Bly Hits the Big Screen

Fearless Feminist Reporter Nellie Bly Hits the Big Screen

10-DAYS-ONE-SHEET4webModern-day news consumers have long forgotten about 19th-century reporter Nellie Bly, despite the fact that she was the most impressive journalist of her time. Feminist, adventurer and ultimate risk-taker, she traveled around the world in 72 days, and pushed her way to the top of the male-dominated news industry.
But she did her most impressive work in 1887 when, at just 23 years old, she pretended to be insane for an undercover report on the conditions at a women’s mental asylum on Blackwell’s Island in New York City. She spent 10 grueling and horrifying days in the institution but never regretted it, because her expose for Joseph Pulitzer’s New York World would shake the nation to its core. Thanks to her, the asylum was later demolished.
I have long thought that Nellie Bly’s life story would be perfect for the big screen. You can’t get much more daring and badass than Bly. Now finally, someone else agrees! A new film called 10 Days in a Madhouse tells the incredible story of Bly’s chilling undercover investigation.
Written and directed by Timothy Hines, I can honestly say this movie is a must-see. Nellie Bly’s heroism and courage truly come to life on the screen, thanks to the work of talented up-and-coming actor Caroline Barry. Barry is instantly magnetic as Bly, and it’s hard not to root for and fall in love with her character as the story progresses.
Hines also does a great job showing just how grotesque and abusive the conditions really were at Blackwell’s Island Insane Asylum. In the film, Bly encounters creepy and uncaring doctors, sadistic nurses and several incarcerated women who are clearly not insane and should never have been sent to the asylum in the first place. Several are locked up for reasons that would make feminists rage, such as catching their husband having an affair, just being poor, or not being able to speak English well enough to plead their case.
I say incarcerated because, as the film shows, the asylum is truly a prison rather than a center for palliative care. Bly and her fellow “patients” must endure freezing cold baths, threadbare and sullied gowns, disgusting living conditions, stale food and beatings from the institution’s support staff. They are not allowed to read because it might stir their “fevered” emotions and are forced to drink “medicinal” concoctions of morphine at night.
The doctors refuse to allow the women to prove whether or not they really are insane, and easily dehumanize their wards. In one gut-wrenching scene, Bly forces herself to play an old piano in the asylum to drown out the cries of a patient being raped by a doctor. She also witnesses the murder of one of her friends at the hands of superintendent E.C. Dent, who takes no issue with treating the women as guinea pigs for his “scientific” work. Bly is very nearly killed by him too, until her release is secured in the nick of time.
When she finally does escape the asylum, Bly can’t remember how long she spent there. To the viewer, it seems like months have passed. This is not a criticism against the film; it is a compelling watch and Hines keeps the pacing flowing well. But it certainly is a mind-boggling realization that Bly witnessed and experienced all this brutality in little more than a week.
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The script is based on Bly’s reporting and book about her experience, and the dialogue appears to be drawn from Bly’s writings. Unfortunately, this has the unintended consequence of sounding somewhat awkward and stiff to the contemporary moviegoer.
That said, all of the asylum patients are well played, most particularly by actors Julia Chantrey, Natalia Davidenko and Jessa Campbell. Christopher Lambert is strong as the superintendent, but his character comes off as largely one-dimensional, as do the tyrannical nurses. The film also misses a few opportunities to up the tension. For instance, I had hoped for a more cathartic climax when Bly confronts Dr. Dent after he has killed her friend.
However, these shortcomings do not detract from the overall awesomeness of the film, READ WHOLE REVIEW

Wednesday, January 13, 2016

The Real Deal: Why you might be a feminist and not even know it

The Real Deal: Why you might be a feminist and not even know it























In my short time being involved in politics, I’ve noticed a surprising trend. Most people seem to refrain from identifying as being a feminist. Even my liberal and progressive colleagues will refrain from the term, and this is because of the negative connotations the term has earned due to pop culture. When many hear the word feminist they think of rallies and “feminazis.” This however is not even close to the true goal and meaning of feminism. In fact, you might be a feminist. So, let me shed some light on what a feminist truly is.
Do you think men and women should be treated equally under the law? Do you support men and women being treated equally in the work place? What about in the classroom? If you said yes to these questions, then you already support the idea of feminism when it comes to legal equality. Many people have the idea that feminism is the idea that women should rise up and dominate the world, and that is not what feminism is at all. Feminism simply calls for men and women to be treated the same by their bosses, police, teachers, etc. Feminism is gender equality for all genders, plain and simple.
Read Whole story here.