In A Madhouse will stick with you!
10 DAYS IN A MADHOUSE MOVIES REVIEWS BEST FEMINIST

5 out of 5 STARS
January 18, 2015 By Erika Jones
Sitting in the theater, I squirmed in my seat, impatient for the movie to begin and finally see Nellie Bly up on the big screen.
Well, okay. Cards on the table, I didn't really know anything about Nellie Bly before discovering this movie, save a few passing remembrances of grade school history classes various "important people to know" but I should have! Come on, a badass feminist icon getting a film all about her? Yes please. So finally, when the screen projected the familiar green rating sign and the lights dim in the theater, the first images of the film appeared.
At first I was a bit skeptical - a medical room, a woman being held down while being watched over by a well groomed authoritarian looking man (what turns out to be a fascinatingly complicated and quietly tragic performance by Christopher Lambert). The chilling scene is well done, but familiar. Oppressed girls, cruel white men, tears. Everything is terrible.
Was this what the film was going to be? I laid back in my seat, preparing myself to settle in for two hours of thrashing, beatings, and crying women, watching Nellie's spirit be broken by the system. oh what a world, isn't it Nellie?
But then the movie surprised me.
After the opening credits had rolled, (an unsettling yet mesmerizing slideshow of old photographs, slowly having been made to move- listing slightly to one side, or a rogue arm waving hauntingly back at the audience) the movie begins on a different note, we are finally introduced to a chipper bright eyed Nellie Bly (played by the equally exuberant newcomer Caroline Barry) as she approaches an old timey news building.
Bly's incessant smile is almost comical, in fact being pointed out and chastised as she talks to a superior inside the news building. It's there that she gets her famous marching orders - to feign insanity to get into 'the madhouse'- Blackwell's lunatic Asylum. Just these first 20 minutes of the movie prove a nice reprieve from the intensity of the opening scene, even having a few fun borderline silly moments and touching performances.
And Bly's fearless nature, seeming to ignore all of the patriarchal bonds shackled on her as she walks confidently into a room (and a career) full of men was exciting and inspiring. I was on board, I was hyped! and when the time came for Bly to go into the madhouse, I shifted uncomfortably in my seat, anxious for how this aspect of her journey would be portrayed.
"I was on board, I was hyped! and when the time came for Bly to go into the madhouse, I shifted uncomfortably in my seat, anxious for how this aspect of her journey would be portrayed."
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